SW, Chapter 3: Marcel and I are having some problems.
Okay, so, Further Reasons Why I Call Bullshit on Marcel:
First off, can we just take a moment to marvel at how nobody pointed out to him that he doesn't even follow the rules of his own conceit? I mean, let's break it down: Dude's telling us that he eats a cookie dunked in tea, and it brings back every last detail of his childhood summers in Combray. Okay, I'm with you so far. But he's remembering things he can't possibly have experienced! He's remembering whole conversations, verbatim, that his sickly aunt had with her maid, in said aunt's bedroom, when he wasn't there. Marcel, I call bullshit. I mean, at least with the old piano teacher and his daughter, he comes up with some lame-ass "oh yeah, I was just passing by and happened to peek in the window" pretense for how he managed to see such private moments. That I can accept (though dude had a confused notion of lesbianism, but then again, that's just a product of his era, so I'm not going to dock him points for that, either), but all these conversations between the aunt and the maid? What, they just never noticed little Marcel hanging out by the chiffonier?
And speaking of Le Petit Marcel: No, I do not believe any little kid, no matter how precocious, interprets his mother's grudging decision to spend the night in his room after he's had a tantrum as the first sign of her impending mortality. I'm sorry, but no. Kids that age (and here's another thing, how fucking old is he at any stage of the book? He never says. You can give me a stamen-by-stamen account of every goddamn flower you passed on the Meseglise Way, but you can't be bothered to tell me if you were 5 or 12 when you were screaming for your moms to kiss you goodnight? I'm going to guess you were 5, because otherwise, eeeeeeew.) do not even have the ability to conceive of death in any real way, much less imply it by a simple act of kindness. No, Marcel, encore I call bullshit.
Okay, and I'm going to stop soon, but can I just say? The endless use of metaphors and similes? Is KILLING me? Imagery is great, but it's not a meal, you know? It's like cayenne--used sparingly, it can really perk things up, but overuse can and will dull the palate and make the dish inedible.
See, that was my first simile in this whole piece, and it worked. And now I'm not going to use any more. Because I do not hate you. Whereas I'm not so sure about M. Proust. I really feel like he's punishing the reader at times, and I don't understand why. We signed on to read at least 440 pages--and a whole lot more, if we do the whole seven books--so why not make things just the slightest bit easy on us? Why not show you care about our comfort? Huh, Mr. Ibelievethelengthofmypenisisdirectlyproportionaltothatofmyparagraphs?
And yes, I know that all this bitching leads to an inevitable question: Why don't I just quit? But there are two reasons. The first is simply that I am very, very stubborn. I said I would read Swann's Way and god dammit, I'ma gonna read the motherfucker. I refuse to think my pants aren't as smart as anyone else's, and no dead self-obsessed Frenchman is going to prove me wrong.
And the other reason is that so much of his writing--despite the logistical lapses, despite the sadistic writing style, despite the maudlin nostalgia that rots my very molars--is really very beautiful. Every time I think of putting the book down and reading something less stressful, he gives me a line like "...and habit picked me up in its arms and carried me to bed," and I think, okay, well, maybe I won't stop just yet.
Still, I'm not sure I get what all the fuss is about. I mean, this thing is lauded as the greatest modern novel, and I wouldn't go that far in a million years. I was going to say it's a little like the first time I tasted foie gras, but I promised no more similes, and by gum, I keep my promises.